Provenance
Provenance<br> <br> <br> <br> Galerie Louise Leiris (Daniel-Henry Kahnweiler), Paris.<br> <br> Dr Nahum Goldmann, Jerusalem, and thence by descent; sale, Sotheby's, New York, 15 May 1985, lot 227.<br> <br> Private collection, by whom acquired at the above sale; sale, Sotheby's, New York, 7 May 2003, lot 337.<br> <br> Acquired at the above sale; sale, Sotheby's, Paris, 3 December 2008, lot 27.<br> <br> Acquired at the above sale.
Literature
Literature<br> <br> <br> <br> C. Zervos,<br> <br> Pablo Picasso,<br> <br> vol. 8,<br> <br> Oeuvres de 1932 à 1937,<br> <br> Paris, 1957, no. 116, n.p. (illustrated pl. 50).<br> <br> <br> <br> R. Penrose & J. Golding, eds.,<br> <br> Picasso in Retrospect,<br> <br> New York, 1973, no. 181, pp. 108 & 277 (illustrated p. 108).<br> <br> <br> <br> U. Weisner, ed.,<br> <br> Picassos Surrealismus, Werke 1925-1937,<br> <br> exh. cat., Kunsthalle, Bielefeld, 1991, no. 67a, p. 335 (illustrated; titled ‘Composition surréaliste’).<br> <br> <br> <br> B. Léal, C. Piot & M.-L. Bernadac,<br> <br> Picasso Total, 1881-1973,<br> <br> Barcelona, 2000, p. 283 (illustrated fig. 682, p. 282; titled ‘Composición surrealista’).<br> <br> <br> <br> J. Palau i Fabre,<br> <br> Picasso: From the Minotaur to Guernica (1927-1939),<br> <br> Barcelona, 2011, pp. 158 & 436 (illustrated fig. 494, p. 158).<br> <br> M. McCully, M. Raeburn & J.-L. Andral,<br> <br> Picasso: Cote d'Azur,<br> <br> exh. cat., Forum Grimaldi, Monaco, 2013, no. 45, p. 111 (illustrated).