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Home > La petite fileuse bretonne
La petite fileuse bretonne

Gustave Courbet

La petite fileuse bretonne

Lot #305 | 2025-05-13 | Finarte, Milan
Important Paintings and Sculptures / 19th and Early 20th Century Art


Category:

Painting

Estimate:

EUR 25,000 - 35,000 (currency of sale)
USD 27,125 - 37,975 (approx.)

Price Sold:

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Auction Details
Auction house: Finarte
Auction number: 294
Auction name: Important Paintings and Sculptures / 19th and Early 20th Century Art
Auction type: Fine Art
Location: Milan
Start date: 2025-05-13
Currency: EUR
Lot Description
Details
Genre: 20th Century Art Art
Department: Painting & Works on Paper
Dimensions: 24.0 x 32.2 cm.
Item measurements:
Height In Centimeters: 24
Width In Centimeters: 32.2
Height In Inches: 9.449
Width In Inches: 12.677
Catalog summary
oil on canvas24 x 32.2 cmsigned lower left:G. CourbetThe work is accompanied by the archive of the Institut Courbet with a scientific note by Jean-Jacques Fernier.Specialist NotesWe report some significant passages from the file written by Jean-Jacques Fernier, the greatest scholar of the painter: "This painting represents a young peasant woman, sitting on a rock at the foot of a group of trees, on the left, intent on watching over the sheep that can be distinguished around a pond, lightened by the last gleams of a magnificent sky with a reddish twilight, in a countryside already close to night. The atmosphere that can be perceived from this scene, with its few details, opposes the earth and those who live there in an almost monochrome sense to a living sky described in all its nuances".The periodization is equally important, given that Fernier places its execution between 1859 and 1862, when Courbet joined his friend Baudelaire in Honfleur and subsequently returned to Saintonge in the summer of 1862. In fact, if we look closely, the work takes its cue from the larger painting also depictingLa fileuse bretonnebut, in this case, leaves room for a more instinctive painting style.The result is a reminder of nature as interpreted by the Venetians of the Renaissance (and loved by Courbet) in an almost pre-Impressionist style, so vivid is the effect achieved.
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