Details
Genre: Contemporary Art
Department: Painting & Works on Paper
Dimensions: 52 x 52 in. (132.1 x 132.1 cm)
Item measurements:
Height In Centimeters:
132.1
Width In Centimeters:
132.1
Height In Inches:
52
Width In Inches:
52
Year notes: Executed in 1970.
Provenance
Fischbach Gallery, New York. Aladar Marberger, New York (1971). Marian Goodman Gallery, New York. Mayor Gallery, London and Margo Leavin Gallery, Los Angeles (1985). 38 Walbrook Ltd., London. Anthony Meier Fine Art, San Francisco. Private collection, Nevada (1998). Anthony Meier Fine Art, San Francisco. Private collection, Athens (1999). Renos Xippas, Paris (2000). Anthony Meier Fine Arts, San Francisco. Private collection, Belgium (acquired from the above in 2000). Family-owned since.
Condition
This artwork is in overall very good condition.
Exhibited
Robert Ryman: Paintings, Fischbach Gallery, New York, January 30 - February 18, 1971. American Abstract Painting, 1960-80, Margo Leavin Gallery, Los Angeles, June 19 - August 24, 1985. Eduardo Chillida, Donald Judd, Catherine Lee, Sol LeWitt, Robert Mangold, Robert Ryman, Galerie Lelong, New York, February 12 - March 28, 1998.
Literature
Carter Ratcliff, Robert Ryman's Double Positive, Art News, Vol. 70, No. 1, March 1971, pp. 54-56 and pp. 71f. Kenneth Baker, New York: Robert Ryman, Artforum, vol. 9, no. 8, April 1971, pp. 78f. Phyllis Tuchman, An Interview with Robert Ryman, Artforum, vol. 9, no. 9, May 1971, pp. 46-53. Naomi Spector, Robert Ryman, Amsterdam 1974, pp. 23f. Barbaralee Diamonstein, Inside New York's art world. Interview with Robert Ryman, New York 1979, pp. 330-340, here p. 335. Christel Sauer, Robert Ryman: Gemälde und Reliefs, Zurich 1980, p. 20.