Details

Provenance

Galerie Philippe Guimiot, Brussels Acquired directly from the above by Renilde Hammacher-van den Brande for the Peter Stuyvesant Collection in 1991

Exhibited

Brussels, Galerie Philippe Guimiot, Per Kirkeby , 1991, pp. 44-45, illustrated in colour Hannover, Kestner-Gesellschaft, Per Kirkeby , 1991-1992, no. 56, illustrated in colour Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 48, illustrated in colour Sevilla, World EXPO '92, Art in the Factory , 1992, p. 41, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br>The colours in the catalogue are fairly accurate.<br><br>Condition:<br>This work is in very good condition. When examined under ultraviolet light there are no retouches visible. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Per Kirkeby Untitled signed on the stretcher oil on canvas 201,5 by 114,5cm.; 79 3/8 by 45 1/8 in. Executed in 1990. Provenance Galerie Philippe Guimiot, Brussels Acquired directly from the above by Renilde Hammacher-van den Brande for the Peter Stuyvesant Collection in 1991 Exhibited Brussels, Galerie Philippe Guimiot, Per Kirkeby , 1991, pp. 44-45, illustrated in colour Hannover, Kestner-Gesellschaft, Per Kirkeby , 1991-1992, no. 56, illustrated in colour Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 48, illustrated in colour Sevilla, World EXPO '92, Art in the Factory , 1992, p. 41, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br>The colours in the catalogue are fairly accurate.<br><br>Condition:<br>This work is in very good condition. When examined under ultraviolet light there are no retouches visible. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."