Details

Provenance

Foundation Veranneman, Kruishoutem Acquired directly from the above by Renilde Hammacher-van den Brande for the Peter Stuyvesant Collection in 1990

Exhibited

Kruishoutem, Belgium, Foundation Veranneman, Post Graffiti , 1990, p. 21, illustrated in colour Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 165, illustrated in colour Barcelona, Fondación Miró; Zaragoza, Palacio de la Lonja; Valencia, Museo de la Ciudad, El Arte Funciona , 1992 Sevilla, World EXPO '92, Art in the Factory , 1992, no. 71, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br>The colours in the catalogue illustration are fairly accurate although the overall tonality is warmer in the original work.<br><br>Condition:<br>This work is in very good condition. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Toxic ALL-N-ALL signed, titled and dated 1987 on the reverse acrylic and spraypaint on canvas 240,5 by 270cm.; 94 5/8 by 106 1/4 in. Provenance Foundation Veranneman, Kruishoutem Acquired directly from the above by Renilde Hammacher-van den Brande for the Peter Stuyvesant Collection in 1990 Exhibited Kruishoutem, Belgium, Foundation Veranneman, Post Graffiti , 1990, p. 21, illustrated in colour Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 165, illustrated in colour Barcelona, Fondación Miró; Zaragoza, Palacio de la Lonja; Valencia, Museo de la Ciudad, El Arte Funciona , 1992 Sevilla, World EXPO '92, Art in the Factory , 1992, no. 71, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br>The colours in the catalogue illustration are fairly accurate although the overall tonality is warmer in the original work.<br><br>Condition:<br>This work is in very good condition. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."