Details

Provenance

Galerie Krikhaar, Amsterdam Acquired directly from the above by Alexander Orlow for the Peter Stuyvesant Collection in 1969

Exhibited

Eindhoven, Bijenkorf (& travellling), Kunst over de Drempel , 1985 Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 143, illustrated in colour Sevilla, World EXPO '92, Art in the Factory , 1992, p. 42, no. 60, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br><br>The colours in the catalogue illustration are fairly accurate although the overall tonality is darker in the original work.<br><br><br><br>Condition:<br><br>This work is in good condition. Some minor paint shrinkage in the blacks. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Anton Rooskens Het Feest signed and dated 57; signed on the reverse oil on canvas 100 by 120cm.; 39 3/4 by 47 1/8 in. Provenance Galerie Krikhaar, Amsterdam Acquired directly from the above by Alexander Orlow for the Peter Stuyvesant Collection in 1969 Exhibited Eindhoven, Bijenkorf (& travellling), Kunst over de Drempel , 1985 Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation , 1991-1992, p. 143, illustrated in colour Sevilla, World EXPO '92, Art in the Factory , 1992, p. 42, no. 60, illustrated in colour Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif , 1992 Condition Colours:<br><br>The colours in the catalogue illustration are fairly accurate although the overall tonality is darker in the original work.<br><br><br><br>Condition:<br><br>This work is in good condition. Some minor paint shrinkage in the blacks. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."