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Zycles 6021
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Thomas Ruff

Zycles 6021 , 2009 (Dated)

Lot #49 | 2021-11-26 | Sotheby's, Cologne
Contemporary Passions


Category:

Photograph

Estimate:

EUR 35,000 - 55,000 (currency of sale)
USD 41,405 - 65,065 (approx.)

Price Sold:

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Auction Details
Auction house: Sotheby's
Auction number: DE2197
Auction name: Contemporary Passions
Auction type: Fine Art
Location: Cologne
Start date: 2021-11-26
Currency: EUR
Source: Login to view
Lot Description
Details
Genre: 20th Century German Art
Department: Photography & Video
Dimensions: 229 by 229 cm.
Item measurements:
Height In Centimeters: 229
Width In Centimeters: 229
Height In Inches: 90.125
Width In Inches: 90.125
Edition: 3
Edition notes: Number 2 from an edition of 3.
Year notes: Dated in 2009.
Provenance
Mai 36 Galerie, Zurich Acquired from the above by the present owner Catalogue note The present work Zycles 6021 by German artist Thomas Ruff is a monumental example of his dynamic Zycles series. Using a 3D computer modelling software, Ruff transfers in this series the algebraic formula of a cycloid, a curve generated by a curve rolling on another curve, through abstractive distortion into a two-dimensional print. The resulting image seems to be infinite without a reference point, inviting the viewer to explore the depth of dynamic swirling ribbons. The name Zycles is a combination of Cycloids and its German translation Zykloide . “My images are not images of reality but show a kind of second reality, the image of the image.” (Quote from the book: Florian Heine, 50 contemporary photographers you should know , Munich 2016). Thomas Ruff has over his more than four-decade career created one of the most diverse oeuvres of any of the Düsseldorf-trained photographers. He studied under Bernd and Hilla Becher, whose systematic documentation of European and American industrial buildings became the basis of their own school of contemporary photography. Ruff has become one of the most influential conceptual artists, and a main force to bring the medium of photography to an equal level of importance next to the medium of paintings. He makes use of tools beyond the conventional and creates manipulated works of art known for their high-quality precision and captivating beauty, that however do not allow the viewer to be clearly interpreted.
Catalog summary
Thomas Ruff b. 1958 Zycles 6021 signed, dated 2009 and numbered 2/3 on the reverse inkjet print on canvas 229 by 229 cm., 90â…› by 90â…› in. Framed: 236 by 236 cm., 92½ by 92½ in. Executed in 2009, this work is number 2 from an edition of 3 plus 2 artist's proofs. Collection and Shipment: Please note this lot will be available for shipment or collection offsite five business days after sale closure. Please contact Post Sale Services ( [email protected] ) to make arrangements. Provenance Mai 36 Galerie, Zurich Acquired from the above by the present owner Catalogue note The present work Zycles 6021 by German artist Thomas Ruff is a monumental example of his dynamic Zycles series. Using a 3D computer modelling software, Ruff transfers in this series the algebraic formula of a cycloid, a curve generated by a curve rolling on another curve, through abstractive distortion into a two-dimensional print. The resulting image seems to be infinite without a reference point, inviting the viewer to explore the depth of dynamic swirling ribbons. The name Zycles is a combination of Cycloids and its German translation Zykloide . “My images are not images of reality but show a kind of second reality, the image of the image.” (Quote from the book: Florian Heine, 50 contemporary photographers you should know , Munich 2016). Thomas Ruff has over his more than four-decade career created one of the most diverse oeuvres of any of the DĂĽsseldorf-trained photographers. He studied under Bernd and Hilla Becher, whose systematic documentation of European and American industrial buildings became the basis of their own school of contemporary photography. Ruff has become one of the most influential conceptual artists, and a main force to bring the medium of photography to an equal level of importance next to the medium of paintings. He makes use of tools beyond the conventional and creates manipulated works of art known for their high-quality precision and captivating beauty, that however do not allow the viewer to be clearly interpreted.
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