Details

Provenance

Alan Steele, New York (acquired directly from the artist) Acquired directly from the above by the present owner Condition Colours: The colours in the catalogue illustration are fairly accurate although the illustration fails to convey the true depth of the work. The colours are more vibrant in the original and the brown tends more towards red. The resin is also transparent and not as yellow as illustrated.<br><br>Condition: This work is in very good condition. There is a minute chip to the plexi box along the top turnover edge in the top left hand corner. There is a faint surface irregularity to the centre of the bottom edge of the plexi box. There are light unobtrusive surface scratches in places throughout. Some of the yo-yos have signs of oxidation, inherent to the artist's working process. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note This work is recorded in the Corice Canton Arman Archives under number APA# 8003.81.275 and in the Denyse Durand-Ruel Archives under number 10.004

Catalog summary

Arman Yo Yo Marmalade signed and dated 81 accumulation of yoyos in resin in plexiglas 45 by 25.5 by 6.3cm.; 17¾ by 10 by 2½in. Provenance Alan Steele, New York (acquired directly from the artist) Acquired directly from the above by the present owner Condition Colours: The colours in the catalogue illustration are fairly accurate although the illustration fails to convey the true depth of the work. The colours are more vibrant in the original and the brown tends more towards red. The resin is also transparent and not as yellow as illustrated.<br><br>Condition: This work is in very good condition. There is a minute chip to the plexi box along the top turnover edge in the top left hand corner. There is a faint surface irregularity to the centre of the bottom edge of the plexi box. There are light unobtrusive surface scratches in places throughout. Some of the yo-yos have signs of oxidation, inherent to the artist's working process. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note This work is recorded in the Corice Canton Arman Archives under number APA# 8003.81.275 and in the Denyse Durand-Ruel Archives under number 10.004