Details

Provenance

The Redfern Gallery, London, whence acquired by the present owner, 29th March 1966 Condition The board is in good overall condition.<br><br>There are some tiny spots of paint loss along the upper edge in the upper left corner, along the right edge in the lower right corner, and at the very tip of the lower left corner. Nail heads are visible beneath the paint surface along the edges of the work. The paint surface is slightly dirty but is otherwise in good overall condition.<br><br>There is no sign of retouching under ultra-violet light.<br><br>Held in a simple wooden rectilinear frame.<br><br>Please telephone the department on 020 7293 5381 if you have any questions regarding the present work. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Painted circa 1965.

Catalog summary

Alan Reynolds summer structure signed; also titled on the reverse oil on board 55.5 by 56cm.; 21¾ by 22in. Provenance The Redfern Gallery, London, whence acquired by the present owner, 29th March 1966 Condition The board is in good overall condition.<br><br>There are some tiny spots of paint loss along the upper edge in the upper left corner, along the right edge in the lower right corner, and at the very tip of the lower left corner. Nail heads are visible beneath the paint surface along the edges of the work. The paint surface is slightly dirty but is otherwise in good overall condition.<br><br>There is no sign of retouching under ultra-violet light.<br><br>Held in a simple wooden rectilinear frame.<br><br>Please telephone the department on 020 7293 5381 if you have any questions regarding the present work. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Painted circa 1965.