Details

Provenance

Galerie Apollinaire, Milan Acquired directly from the above by the present owner circa 1960 Condition Colour:<br>The colours in the catalogue illustration are fairly accurate although the overall tonality is richer and deeper with greater surface impasto in the original. <br><br>Condition:<br>This work is in good condition. There is some evidence of light wear around the extreme edges. There are several networks of light craquelure scattered in places throughout the composition, most notably in the top right quadrant. There is a small canvas protrusion at the centre of the right edge, and a further pin head-sized protrusion at the upper centre of the left edge. There is a light transparent drip mark towards the lower left corner on the lower extreme edge. Around the upper and lower sections of the composition, some discolouration to the pigment has resulted in light mottling to the surface. Light surface dust fibres have collected in few of the crevices in the central impasto section. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Luis Feito Pintura signed and dated 1958 on the reverse oil on canvas 97 by 130cm.; 38 1/4 by 51 1/4 in. Provenance Galerie Apollinaire, Milan Acquired directly from the above by the present owner circa 1960 Condition Colour:<br>The colours in the catalogue illustration are fairly accurate although the overall tonality is richer and deeper with greater surface impasto in the original. <br><br>Condition:<br>This work is in good condition. There is some evidence of light wear around the extreme edges. There are several networks of light craquelure scattered in places throughout the composition, most notably in the top right quadrant. There is a small canvas protrusion at the centre of the right edge, and a further pin head-sized protrusion at the upper centre of the left edge. There is a light transparent drip mark towards the lower left corner on the lower extreme edge. Around the upper and lower sections of the composition, some discolouration to the pigment has resulted in light mottling to the surface. Light surface dust fibres have collected in few of the crevices in the central impasto section. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."