Details

Provenance

Luhring Augustine, New York Acquired directly from the above by the present owner Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly cooler in the original<br>Condition:<br>This work is in very good condition. Close inspection reveals some very faint and minor handling marks at a very few intermittent intervals to the extreme overturn edges. No restoration is apparent under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note "Wool's attitude towards the role of images in our culture today, one which he shares with contemporaries such as Prince, Oehlen, Cady Noland and Kippenberger, has become increasingly important to a younger generation of image makers, including New York artists Wade Guyton, Josh Smith and Kelley Walker" Bettina Funcke, 'Revealed in Reproduction' in Tate ETC. , Issue 9, Spring 2007

Catalog summary

Christopher Wool Untitled silkscreen ink on canvas 274.3 by 182.9cm. 108 by 72in. Executed in 2001. Provenance Luhring Augustine, New York Acquired directly from the above by the present owner Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly cooler in the original<br>Condition:<br>This work is in very good condition. Close inspection reveals some very faint and minor handling marks at a very few intermittent intervals to the extreme overturn edges. No restoration is apparent under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note "Wool's attitude towards the role of images in our culture today, one which he shares with contemporaries such as Prince, Oehlen, Cady Noland and Kippenberger, has become increasingly important to a younger generation of image makers, including New York artists Wade Guyton, Josh Smith and Kelley Walker" Bettina Funcke, 'Revealed in Reproduction' in Tate ETC. , Issue 9, Spring 2007