Provenance
Waddington Galleries Ltd., London Private Collection, Germany Sale: Sotheby's, London, Contemporary Art , 11 February 2005, Lot 229 Acquired directly from the above Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and more vibrant in the original. <br><br>Condition:<br>This work is in very good condition. There is light wear in all four corners and some intermittent light wear along the edges of each canvas. Upon very close inspection, there are a few minute holes towards the centre of the composition and a further few to the centre of the left canvas along the top edge. There are two very light rub marks towards the lower right corner of the left canvas. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Please note that this work has been requested for an exhibition of Gunter Sachs' Collection at the Museum Villa Stuck, Munich, 18 October 2012 - 20 January 2013
Catalog summary
Allen Jones Comet oil on canvas, in two parts each: 101.2 by 61cm. 39 7/8 by 24in. overall: 101.2 by 121.5cm. 39 7/8 by 47 7/8 in. Executed in 1988. Provenance Waddington Galleries Ltd., London Private Collection, Germany Sale: Sotheby's, London, Contemporary Art , 11 February 2005, Lot 229 Acquired directly from the above Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and more vibrant in the original. <br><br>Condition:<br>This work is in very good condition. There is light wear in all four corners and some intermittent light wear along the edges of each canvas. Upon very close inspection, there are a few minute holes towards the centre of the composition and a further few to the centre of the left canvas along the top edge. There are two very light rub marks towards the lower right corner of the left canvas. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Please note that this work has been requested for an exhibition of Gunter Sachs' Collection at the Museum Villa Stuck, Munich, 18 October 2012 - 20 January 2013