Details

Provenance

Galerie Meert, Rihoux, Brussels Private Collection, Europe Condition Colour: The colours in the catalogue illustration are fairly accurate although the overall tonality is deeper and richer in the original.<br><br>Condition:<br>This work is in very good condition. There is evidence of wear to the lower right corner tip and in places along the extreme right edge. There is a small, shallow unobtrusive impact mark to the centre-left edge of the first circular motif, which fluoresces darker when examined under ultraviolet light. Close inspection reveals a few faint media accretions and light, short rubs in a few isolated places. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “I wanted to return to the idea that each painting would be total, each painting would be complete… as if each painting were the last painting you were going to do.” Robert Mangold quoted in: Richard Shiff et. al., Robert Mangold , London 2000, p. 276

Catalog summary

Robert Mangold Plane/Figure VI acrylic and pencil on canvas 243.8 by 302.3cm.; 96 by 119in. Executed in 1992. Provenance Galerie Meert, Rihoux, Brussels Private Collection, Europe Condition Colour: The colours in the catalogue illustration are fairly accurate although the overall tonality is deeper and richer in the original.<br><br>Condition:<br>This work is in very good condition. There is evidence of wear to the lower right corner tip and in places along the extreme right edge. There is a small, shallow unobtrusive impact mark to the centre-left edge of the first circular motif, which fluoresces darker when examined under ultraviolet light. Close inspection reveals a few faint media accretions and light, short rubs in a few isolated places. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “I wanted to return to the idea that each painting would be total, each painting would be complete… as if each painting were the last painting you were going to do.” Robert Mangold quoted in: Richard Shiff et. al., Robert Mangold , London 2000, p. 276