Details

Provenance

Galleria Daniele Ugolini, Firenze Acquired directly from the above by the present owner Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br><br>Condition:<br>This work is in very good condition. There is evidence of very light wear to the upper extreme corner tips. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note "Standing before such paintings for the first time is a curious experience. One thinks naturally of Pollock because of the way the paint is dripped onto the metal support (...) Instead of his looping whorls of paint, seemingly uncontrolled, but in fact highly disciplined, one faces in Wool's work only the arbitrary order of carefully achieved randomness. Undeniably the work is beautiful; for many observers it resembles stars in a night sky.” JOHN CALDWELL Exhibition Catalogue, San Francisco, San Francisco Museum of Modern Art, New Work: Christopher Wool , 1998

Catalog summary

Christopher Wool Untitled S6 signed, titled and dated 1986 on the reverse alkyd and flashe on aluminium 122 by 60.6cm.; 48 by 24in. Provenance Galleria Daniele Ugolini, Firenze Acquired directly from the above by the present owner Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br><br>Condition:<br>This work is in very good condition. There is evidence of very light wear to the upper extreme corner tips. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note "Standing before such paintings for the first time is a curious experience. One thinks naturally of Pollock because of the way the paint is dripped onto the metal support (...) Instead of his looping whorls of paint, seemingly uncontrolled, but in fact highly disciplined, one faces in Wool's work only the arbitrary order of carefully achieved randomness. Undeniably the work is beautiful; for many observers it resembles stars in a night sky.” JOHN CALDWELL Exhibition Catalogue, San Francisco, San Francisco Museum of Modern Art, New Work: Christopher Wool , 1998