Details

Provenance

Courtesy of Luc Tuymans and David Zwirner, New York/London.

Exhibited

Tokyo, Wako Works of Art, Luc Tuymans: The Spill , 2013, p. 28, illustrated Condition Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is cooler with the reproduction failing to convey the blue undertones in the original.<br><br>Condition: This work is in very good condition. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “I am happy to support this cause because education is everything.” Luc Tuymans, 2015 Model is one of five paintings from a series entitled The Spill , made in 2012. These works are the result of an ongoing collaboration with Kerry James Marshall that focuses on making an animation. Model is based on a Polaroid the artist took of an architectural model in his studio. It shows a notorious housing project in Chicago once visible from Marshall’s studio, but now demolished. Here, Tuymans’s engagement with architecture is apparent—buildings feature widely throughout his practice—and the bird eye perspective also adds a cinematic or theatrical component, as if the model is a stage waiting for a narrative to unfold

Catalog summary

Luc Tuymans Model signed and dated 2012 on the reverse oil on canvas 168.2 by 124.5cm.; 66 1/2 by 49 3/4 in. Provenance Courtesy of Luc Tuymans and David Zwirner, New York/London. Exhibited Tokyo, Wako Works of Art, Luc Tuymans: The Spill , 2013, p. 28, illustrated Condition Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is cooler with the reproduction failing to convey the blue undertones in the original.<br><br>Condition: This work is in very good condition. No restoration is apparent when examined under ultra-violet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “I am happy to support this cause because education is everything.” Luc Tuymans, 2015 Model is one of five paintings from a series entitled The Spill , made in 2012. These works are the result of an ongoing collaboration with Kerry James Marshall that focuses on making an animation. Model is based on a Polaroid the artist took of an architectural model in his studio. It shows a notorious housing project in Chicago once visible from Marshall’s studio, but now demolished. Here, Tuymans’s engagement with architecture is apparent—buildings feature widely throughout his practice—and the bird eye perspective also adds a cinematic or theatrical component, as if the model is a stage waiting for a narrative to unfold