Details
Genre: Contemporary Art
Department: Prints & Multiples
Dimensions: 51 by 76cm.; 20 1/8 by 29 7/8 in.
Item measurements:
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Height In Centimeters:
51.0
Width In Centimeters:
76.0
Height In Inches:
20.079
Width In Inches:
29.921
Edition: 12/25
Edition notes: This work is number 12 from an edition of 25.
Provenance
Patrick Painter, Vancouver Private Collection, Spain
Exhibited
Malaga, Centro de Arte Contemporáneo, 2003-08 (on temporary loan) Valencia, Institut Valencià d'Art Modern, Centre Julio González , Malas Calles , 2010, p. 95, illustrated
Literature
Walker Art Center, Eds., Edward Ruscha: Editions 1959 - 1999. Catalogue Raisonné , Minneapolis 1999, Vol. 1 , p. 65, pl. 244, 245, 246 and p. 66, pl. 247, 248, 249, illustrated in colour Exhibition Catalogue, Chicago, Museum of Contemporary Art, Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection , 2002-03, pp. 94-95 and 365, illustration of another example of the sixth print Richard Marshall, Ed., Ed Ruscha , London 2003, p. 61, illustration of another example of the second print Exhibition Catalogue, New York, Whitney Museum of American Art, Ed Ruscha and Photography , 2004, p. 217, no. 254, illustration of another example of the first print, p. 218, no. 255, illustration of another example of the third print, p. 219, no. 256, illustration of another example of the fourth print Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br><br>Condition:<br>This work is in very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalog summary
Ed Ruscha Sunset Strip 6 gelatin silver prints each: 51 by 76cm.; 20 1/8 by 29 7/8 in. Executed in 1966-1995, this work is number 12 from an edition of 25. Provenance Patrick Painter, Vancouver Private Collection, Spain Exhibited Malaga, Centro de Arte Contemporáneo, 2003-08 (on temporary loan) Valencia, Institut Valencià d'Art Modern, Centre Julio González , Malas Calles , 2010, p. 95, illustrated Literature Walker Art Center, Eds., Edward Ruscha: Editions 1959 - 1999. Catalogue Raisonné , Minneapolis 1999, Vol. 1 , p. 65, pl. 244, 245, 246 and p. 66, pl. 247, 248, 249, illustrated in colour Exhibition Catalogue, Chicago, Museum of Contemporary Art, Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection , 2002-03, pp. 94-95 and 365, illustration of another example of the sixth print Richard Marshall, Ed., Ed Ruscha , London 2003, p. 61, illustration of another example of the second print Exhibition Catalogue, New York, Whitney Museum of American Art, Ed Ruscha and Photography , 2004, p. 217, no. 254, illustration of another example of the first print, p. 218, no. 255, illustration of another example of the third print, p. 219, no. 256, illustration of another example of the fourth print Condition Colour:<br>The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br><br>Condition:<br>This work is in very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."