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1979 (Elephantine)
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Ben Nicholson

1979 (Elephantine) , 1979 (Executed)

Lot #152 | 2016-02-04 | Sotheby's, London
Impressionist & Modern Art Day Sale


Category:

Painting

Estimate:

GBP 250,000 - 350,000 (currency of sale)
USD 365,754 - 512,055 (approx.)

Price Sold:

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Auction Details
Auction house: Sotheby's
Auction number: L16004
Auction name: Impressionist & Modern Art Day Sale
Auction type: Fine Art
Location: London
Start date: 2016-02-04
Currency: GBP
Source: Login to view
Lot Description
Details
Genre: 20th Century British Art
Department: Painting & Works on Paper
Dimensions: 62.4 by 70.2cm., 24 1/2 by 27 7/8 in.
Item measurements:
Height In Centimeters: 62.4
Width In Centimeters: 70.2
Height In Inches: 24.606
Width In Inches: 27.913
Markings: Login to view
Year notes: Executed in 1979.
Provenance
The Artist's Family Waddington Galleries, London Bernard Jacobson Gallery, London Acquired by the present owner by 1989
Exhibited
London, Waddington Galleries, Ben Nicholson, Recent works , 1980, no. 61, illustrated in the catalogue Tokyo, Fuji Television Gallery, 1986, no. 18, illustrated in the catalogue Condition The boards are stable and there do not appear to be any signs of retouching visible under UV light. This work is in overall very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note ‘The kind of painting which I find exciting is not necessarily representational or non-representational, but it is both musical and architectural, where the architectural construction is used to express a ‘musical’ relationship between form, tone and colour…’ (Ben Nicholson, ‘Notes on Abstract Art: Further Notes’ in Herbert Read, Ben Nicholson: Paintings, Reliefs, Drawings, London, 1948, pp. 27-8).
Catalog summary
Ben Nicholson 1979 (Elephantine) signed Nicholson, dated 1979 and inscribed Elephantine on the reverse oil, felt-tip pen and wash on board mounted on board 62.4 by 70.2cm., 24 1/2 by 27 7/8 in. Provenance The Artist's Family Waddington Galleries, London Bernard Jacobson Gallery, London Acquired by the present owner by 1989 Exhibited London, Waddington Galleries, Ben Nicholson, Recent works , 1980, no. 61, illustrated in the catalogue Tokyo, Fuji Television Gallery, 1986, no. 18, illustrated in the catalogue Condition The boards are stable and there do not appear to be any signs of retouching visible under UV light. This work is in overall very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note ‘The kind of painting which I find exciting is not necessarily representational or non-representational, but it is both musical and architectural, where the architectural construction is used to express a ‘musical’ relationship between form, tone and colour…’ (Ben Nicholson, ‘Notes on Abstract Art: Further Notes’ in Herbert Read, Ben Nicholson: Paintings, Reliefs, Drawings, London, 1948, pp. 27-8).
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