Details

Provenance

Estate of the artist Marina Picasso (the artist’s granddaughter; acquired from the above)

Exhibited

The authenticity of this work has been confirmed by Claude Picasso.

Literature

Daniel-Henry Kahnweiler, Les Sculptures de Picasso (avec des photographies de Brassaï) , Paris, 1949, no. 89 Werner Spies, Picasso, Das Plastische Werk , Berlin & Düsseldorf, 1983-84, no. 147, illustrated p. 336 Werner Spies, Picasso Sculpteur, catalogue raisonné des sculptures établi en collaboration avec Christine Piot , Ostfildern & Stuttgart, 2000, no. 147, illustrated p. 356 Brassaï/Picasso, Conversations avec la lumière (exhibition catalogue), Musée Picasso, Paris, 2000, illustrated p. 254 Condition The sculpture is sound. There is some minor wear and scuffing with a few tiny surface nicks that are consistent with age and handling. A light build-up of dust and studio dirt in the deepest crevices this work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Pablo Picasso Tête plaster 11 by 11 by 6cm., 4 3/8 by 4 3/8 by 2 3/8 in. Pièce unique Provenance Estate of the artist Marina Picasso (the artist’s granddaughter; acquired from the above) Exhibited The authenticity of this work has been confirmed by Claude Picasso. Literature Daniel-Henry Kahnweiler, Les Sculptures de Picasso (avec des photographies de Brassaï) , Paris, 1949, no. 89 Werner Spies, Picasso, Das Plastische Werk , Berlin & Düsseldorf, 1983-84, no. 147, illustrated p. 336 Werner Spies, Picasso Sculpteur, catalogue raisonné des sculptures établi en collaboration avec Christine Piot , Ostfildern & Stuttgart, 2000, no. 147, illustrated p. 356 Brassaï/Picasso, Conversations avec la lumière (exhibition catalogue), Musée Picasso, Paris, 2000, illustrated p. 254 Condition The sculpture is sound. There is some minor wear and scuffing with a few tiny surface nicks that are consistent with age and handling. A light build-up of dust and studio dirt in the deepest crevices this work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."