Details

Provenance

Art & Space, London Acquired from the above by the present owner in 2004

Exhibited

London, Saatchi Gallery, Pangaea II: New Art From Africa And Latin America , March - September 2015, p. 76, illustrated in colour Condition Colour:<br>The colours in the catalogue illustration are fairly accurate.<br><br>Condition:<br>This work is in very good and original condition. Very close inspection reveals a few very thin and unobtrusive cracks, some of which have associated small and unobtrusive specks of loss, all of which are likely to be inherent to the artist's choice of medium and working process. Extremely close inspection reveals some superficial dust fibres in places. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Alexandre da Cunha Ruby/Magnolia gloss paint on rubber tyre 40 by 55 by 55 cm. 15 3/4 by 21 3/4 by 21 3/4 in. Executed in 2004. Provenance Art & Space, London Acquired from the above by the present owner in 2004 Exhibited London, Saatchi Gallery, Pangaea II: New Art From Africa And Latin America , March - September 2015, p. 76, illustrated in colour Condition Colour:<br>The colours in the catalogue illustration are fairly accurate.<br><br>Condition:<br>This work is in very good and original condition. Very close inspection reveals a few very thin and unobtrusive cracks, some of which have associated small and unobtrusive specks of loss, all of which are likely to be inherent to the artist's choice of medium and working process. Extremely close inspection reveals some superficial dust fibres in places. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."