Details

Provenance

Xavier Hufkens, Brussels Private Collection, Europe Thence by descent to the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although they fail to fully convey the reflective nature of some of the metal elements.<br><br>Condition: This work is in very good condition. All surface irregularities are in keeping with the artist's choice of medium and working process. Some dust fibres have settled in the recesses. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “Chance and casual freedom seem to exceed the order within the work. Reality seems more capricious than any order it holds. This disparity between reality and its order is the most radical and important aspect of Chamberlain’s sculpture.” DONALD JUDD quoted in: Exh. Cat., New York, Pace Gallery, John Chamberlain: New Sculpture , February – March 1989, p. iv

Catalog summary

John Chamberlain Singing Boxer painted steel 19 by 26 by 15 cm. 7 1/2 by 10 1/4 by 5 7/8 in. Executed in 2000. Provenance Xavier Hufkens, Brussels Private Collection, Europe Thence by descent to the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although they fail to fully convey the reflective nature of some of the metal elements.<br><br>Condition: This work is in very good condition. All surface irregularities are in keeping with the artist's choice of medium and working process. Some dust fibres have settled in the recesses. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “Chance and casual freedom seem to exceed the order within the work. Reality seems more capricious than any order it holds. This disparity between reality and its order is the most radical and important aspect of Chamberlain’s sculpture.” DONALD JUDD quoted in: Exh. Cat., New York, Pace Gallery, John Chamberlain: New Sculpture , February – March 1989, p. iv