Details

Provenance

Lora Reynolds Gallery, Austin Acquired from the above by the present owner

Exhibited

Austin, Lora Reynolds Gallery, Eastern European Painting Now , March - May 2007 Condition Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br>Condition: This work is in very good condition. Extremely close inspection reveals some light and unobtrusive wear to the corner tips. Further very close inspection reveals a very faint stretcher bar impression along the horizontal edges. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “One thing is certain: the paintings of Adrian Ghenie do not allude to a world beyond (a window into another reality) but are about the world within, about the monad and the personal emotions of an inflected consciousness.” Adrian Ghenie in conversation with Magda Radu, in: Exh. Cat., Venice, Romanian Pavilion, Biennale de Venezia, Adrian Ghenie: Darwin’s Room , 2015, pp. 82-83

Catalog summary

Adrian Ghenie Empty oil on canvas 45.5 by 102 cm. 17 7/8 by 40 1/4 in. Executed in 2007. Provenance Lora Reynolds Gallery, Austin Acquired from the above by the present owner Exhibited Austin, Lora Reynolds Gallery, Eastern European Painting Now , March - May 2007 Condition Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly deeper in the original.<br>Condition: This work is in very good condition. Extremely close inspection reveals some light and unobtrusive wear to the corner tips. Further very close inspection reveals a very faint stretcher bar impression along the horizontal edges. No restoration is apparent when examined under ultraviolet light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note “One thing is certain: the paintings of Adrian Ghenie do not allude to a world beyond (a window into another reality) but are about the world within, about the monad and the personal emotions of an inflected consciousness.” Adrian Ghenie in conversation with Magda Radu, in: Exh. Cat., Venice, Romanian Pavilion, Biennale de Venezia, Adrian Ghenie: Darwin’s Room , 2015, pp. 82-83