Details

Provenance

Fondation D’Ars Private Collection, Europe Arte Centro, Milano Acquired from the above by the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although the white leans slightly towards a cream tone in the original. Condition: This work is in very good condition. Very close inspection reveals some very light wear in places to the edges. There is light canvas draw to the upper right and lower left corner, light stretcher bar impressions along the edges, and a few faint surface irregularities in isolated places. There is craquelure in places throughout the composition, and some tiny cracks along the inner edges. No restoration is apparent when examined under ultraviolent light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note This work is registered in the Archivio Dadamaino, Milan under number 114/13 and is accompanied by a certificate of authenticity.

Catalog summary

Dadamaino Volume signed, titled and dated 1959 on the stretcher waterpaint on canvas 70 by 50 cm. 27 5/8 by 19 3/4 in. Provenance Fondation D’Ars Private Collection, Europe Arte Centro, Milano Acquired from the above by the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although the white leans slightly towards a cream tone in the original. Condition: This work is in very good condition. Very close inspection reveals some very light wear in places to the edges. There is light canvas draw to the upper right and lower left corner, light stretcher bar impressions along the edges, and a few faint surface irregularities in isolated places. There is craquelure in places throughout the composition, and some tiny cracks along the inner edges. No restoration is apparent when examined under ultraviolent light. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note This work is registered in the Archivio Dadamaino, Milan under number 114/13 and is accompanied by a certificate of authenticity.