Details

Provenance

Galleria Il Centro, Naples Acquired from the above by the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although the background colour is slightly darker in the original. Condition: This work is in very good condition. Close inspection reveals some light wear with associated tiny losses in places to the edges. There is canvas draw to the upper left, lower left and lower right corner. Further close inspection reveals drying cracks to the thicker layers of paint. Further close inspection reveals a small loss approximately ten centimetres from the top edge, forty centimetres from the left edge and another pin prick size loss four centimetres from the upper edge and forty-two centimetres from the right edge. Inspection under ultraviolet light reveals some small areas of fluorescence to the black paint, some of which have been inpainted. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Toshimitsu Imaï Soleil signed and dated 64; signed, titled and dated Dec. 1963 Paris on the reverse oil on canvas 81 by 101 cm. 31 7/8 by 39 3/4 in. Provenance Galleria Il Centro, Naples Acquired from the above by the present owner Condition Colour: The colours in the catalogue illustration are fairly accurate, although the background colour is slightly darker in the original. Condition: This work is in very good condition. Close inspection reveals some light wear with associated tiny losses in places to the edges. There is canvas draw to the upper left, lower left and lower right corner. Further close inspection reveals drying cracks to the thicker layers of paint. Further close inspection reveals a small loss approximately ten centimetres from the top edge, forty centimetres from the left edge and another pin prick size loss four centimetres from the upper edge and forty-two centimetres from the right edge. Inspection under ultraviolet light reveals some small areas of fluorescence to the black paint, some of which have been inpainted. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."