Details

Provenance

Gillian Jason, London, 20 September 2004 Condition The board appears to be stable. There are pinheads in the upper left, lower left and lower right corners. There are some flecks of loss and nicks in the extreme lower left corner and towards the upper right corner, on the extreme right edge. There are one or two further tiny flecks of loss in keeping with the Artist's materials and working methods. There is some slight cracquelure in the impasto in the upper right corner and the tips of the impasto have been flattened in places. There is also some reticulation in the brown pigment towards the lower edge. There is surface dirt throughout and some evidence of studio matter in places. This excepting the work appears to be in very good overall condition. Inspection under ultra violet light reveals some areas of fluorescence in the brown pigment in the lower left corner, which may be in keeping with some old and sensitively executed retouchings. The work has a slip frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalog summary

Trevor Bell Piazza signed T Bell, titled and dated 59 on the reverse oil on board 33 by 29cm., 13 by 11½in. Provenance Gillian Jason, London, 20 September 2004 Condition The board appears to be stable. There are pinheads in the upper left, lower left and lower right corners. There are some flecks of loss and nicks in the extreme lower left corner and towards the upper right corner, on the extreme right edge. There are one or two further tiny flecks of loss in keeping with the Artist's materials and working methods. There is some slight cracquelure in the impasto in the upper right corner and the tips of the impasto have been flattened in places. There is also some reticulation in the brown pigment towards the lower edge. There is surface dirt throughout and some evidence of studio matter in places. This excepting the work appears to be in very good overall condition. Inspection under ultra violet light reveals some areas of fluorescence in the brown pigment in the lower left corner, which may be in keeping with some old and sensitively executed retouchings. The work has a slip frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."