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Spanner with Teeth
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Ben Nicholson

Spanner with Teeth , 1973 (Dated)

Lot #117 | 2024-06-07 | Sotheby's, London
Made in Britain Day Auction


Category:

Works on Paper

Estimate:

GBP 15,000 - 20,000 (currency of sale)
USD 19,200 - 25,600 (approx.)

Price Sold:

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Auction Details
Auction house: Sotheby's
Auction number: L24144
Auction name: Made in Britain Day Auction
Auction type: Fine Art
Location: London
Start date: 2024-06-07
Currency: GBP
Source: Login to view
Lot Description
Details
Genre: 19th Century British Art
Department: Painting & Works on Paper
Dimensions: 26 by 9.5cm.
Item measurements:
Height In Centimeters: 26
Width In Centimeters: 9.5
Height In Inches: 10.25
Width In Inches: 3.75
Height In Centimeters: 40
Width In Centimeters: 20
Height In Inches: 15.75
Width In Inches: 8
Height In Centimeters: 42
Width In Centimeters: 22
Height In Inches: 16.5
Width In Inches: 8.75
Markings: Login to view
Year notes: Dated in 1973.
Provenance
Gifted by Ben Nicholson to Angela Verren Taunt
Exhibited
London, The Tate Gallery, Ben Nicholson Drawings 1974 , November - December 1974, no. 38 London, The Tate Gallery, Ben Nicholson , 13 October 1993 - 9 January 1994, no. 131, illustrated in the exh. cat., with tour to Musée d'Art Modern, St Etienne Edinburgh, Scottish National Gallery of Modern Art, Ben Nicholson and the St Ives School , details untraced Catalogue note Ben Nicholson met Angela Verren Taunt at a Christmas party in Cambridge on 29 December 1971. Angela was a talented painter herself and had been a great admirer of Nicholson’s work. Ben invited Angela to visit his studio soon after they met, and it was clear there was an immediate connection. She shortly became his studio assistant, and the close friendship which developed between the two was of fundamental importance to the last ten years of Nicholson’s life. They also worked as collaborators on occasion. The support and creative exchange Ben received from Angela was an energizing element, which along with a return to the UK, helped him recapture a creative energy and zest for life and encouraged his artistic output during this final decade.
Catalog summary
Property from the Collection of Angela Verren Taunt Ben Nicholson 1894 - 1982 Spanner with teeth signed Ben Nicholson , titled, dated 1973 and variously inscribed (on the reverse of the backboard); further inscribed for angela when I pop off (on the reverse of the frame) lino cut, pencil and oil wash on board, laid on Artist's board unframed (central image): 26 by 9.5cm.; 10ÂĽ by 3Âľin. unframed (board): 40 by 20cm.; 15Âľ by 8in. framed: 42 by 22cm.; 16½ by 8Âľin. Executed in 1973. We are grateful to Rachel Smith for her kind assistance with the cataloguing of the present work. A catalogue raisonnĂ© of Ben Nicholson’s paintings and reliefs is currently being prepared, and the authors encourage owners to be in touch. Please write to Rachel Smith, c/o Sotheby’s Modern & Postwar British Art, Sotheby’s, 34-35 New Bond Street, London, W1A 2AA or email [email protected] . Provenance Gifted by Ben Nicholson to Angela Verren Taunt Exhibited London, The Tate Gallery, Ben Nicholson Drawings 1974 , November - December 1974, no. 38 London, The Tate Gallery, Ben Nicholson , 13 October 1993 - 9 January 1994, no. 131, illustrated in the exh. cat., with tour to MusĂ©e d'Art Modern, St Etienne Edinburgh, Scottish National Gallery of Modern Art, Ben Nicholson and the St Ives School , details untraced Catalogue note Ben Nicholson met Angela Verren Taunt at a Christmas party in Cambridge on 29 December 1971. Angela was a talented painter herself and had been a great admirer of Nicholson’s work. Ben invited Angela to visit his studio soon after they met, and it was clear there was an immediate connection. She shortly became his studio assistant, and the close friendship which developed between the two was of fundamental importance to the last ten years of Nicholson’s life. They also worked as collaborators on occasion. The support and creative exchange Ben received from Angela was an energizing element, which along with a return to the UK, helped him recapture a creative energy and zest for life and encouraged his artistic output during this final decade.
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