Details

Catalog summary

Oreste Albertini Grignetta firmato, intitolato e datato in basso a destra O. ALBERTINI / GRIGNETTA / - 10 - 1922 - olio su tela cm 120 x 100 Condition Work on first canvas.<br>From a first hand inspection there is a small loss (mm 4) over the rock in the lower part and along the left hand side edge, moreover a scratch (cm 3) with a patch on the back of the canvas.<br>The ultra violet light reveals a strong fluorescent old varnish spread homogeneously over the surface. The surface look dirty due to thick deposits of dust specially over the sky. It is suggested a carful cleansing to give back light.<br>The overall condition as to the state of preservation is very good. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Verosimilmente l'opera, o lo studio per essa, esposta a Palazzo della Permanente a Milano in occasione dell'Esposizione Annuale del 1924, con il titolo, appunto, Grignetta (n. 460), il dipinto presentato fa parte della prima produzione sistematica avviata dal pittore. Il riferimento principale dell'attività di Albertini dei primi anni '20 è senz'altro Segantini, dal quale mutuerà la tecnica divisionista, anche se in forma semplificata e poi modificata con l'inserimento di un colorismo fauve che troviamo ben dispiegato nel nostro Grignetta e che resterà sempre il suo carattere distintivo sia che dipinga paesaggi assolati, montagne in autunno o baite ricoperte di neve.