Details

Provenance

Leo Castelli Gallery, New York

Exhibited

New York, The Solomon R. Guggenheim Museum; Washington D.C., Hirschorn Museum and Sculpture Garden and the Corcoran Gallery of Art; Toledo, Toledo Museum of Art; Denver, Denver Art Museum, Kenneth Noland: A Retrospective , 1977-78, n. 121, pag. 116, illustrato sottosopra Genazzano, Castello Colonna, Cross-Roads. Incroci. Arte Contemporanea dalla Collezione Tonelli , 2001, n. 165, pagg. 178 e 247, illustrato a colori

Literature

K. Moffet, Kenneth Noland , New York 1977, n. 220, illustrato a colori a piena pagina Condition This work is in very good condition. No traces of retouching appear to be visible under UV light. Colors are a bit more saturated compared to the catalogue illustration. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note signed, titled and dated 1976 on the stretcher, acrylic on canvas Nell'arte accadono due cose. Si raggiunge il<br>contatto con la materia attraverso una forma inerente all'utilizzo<br>di quella materia e c'è anche il raggiungimento di un essenziale livello di<br>espressività, una maniera precisa di dire qualcosa in un modo alquanto<br>complicato. Kenneth Noland

Catalog summary

Kenneth Noland Lapse firmato, intitolato e datato 1976 sul telaio acrilico su tela cm 192x360 Provenance Leo Castelli Gallery, New York Exhibited New York, The Solomon R. Guggenheim Museum; Washington D.C., Hirschorn Museum and Sculpture Garden and the Corcoran Gallery of Art; Toledo, Toledo Museum of Art; Denver, Denver Art Museum, Kenneth Noland: A Retrospective , 1977-78, n. 121, pag. 116, illustrato sottosopra Genazzano, Castello Colonna, Cross-Roads. Incroci. Arte Contemporanea dalla Collezione Tonelli , 2001, n. 165, pagg. 178 e 247, illustrato a colori Literature K. Moffet, Kenneth Noland , New York 1977, n. 220, illustrato a colori a piena pagina Condition This work is in very good condition. No traces of retouching appear to be visible under UV light. Colors are a bit more saturated compared to the catalogue illustration. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note signed, titled and dated 1976 on the stretcher, acrylic on canvas Nell'arte accadono due cose. Si raggiunge il<br>contatto con la materia attraverso una forma inerente all'utilizzo<br>di quella materia e c'è anche il raggiungimento di un essenziale livello di<br>espressività, una maniera precisa di dire qualcosa in un modo alquanto<br>complicato. Kenneth Noland