Details

Provenance

Private Collection, UK

Exhibited

London, Grosvenor Gallery, 1884, no. 214

Catalog summary

Robert Walker Macbeth Robert Walker Macbeth, RA, Scottish 1848-1910 Far from the Madding Crowd; oil on canvas, signed and dated 'R. M. / 1883' (lower right), 98.1 x 55.2 cm. Provenance: Private Collection, UK. Exhibited: London, Grosvenor Gallery, 1884, no. 214. Note: Robert Walker Macbeth may have received his early training in the Glasgow studio of his father, the Scottish portrait painter Norman Macbeth, before relocating to London in 1870, where he continued his studies. He would spend much of his career in London, exhibiting at the Royal Academy, Grosvenor and New Galleries, and at the Old Watercolour Society. The picture presented here was exhibited at the Grosvenor Gallery in 1884, with critics commenting on how the lady’s “suggestive air of retrospection”, along with her costume and accessories drew attention and interest to the picture. Macbeth was known for his romantic pastoral style of painting, which James Caw, historian of Scottish art, likened to the literary works of Thomas Hardy. It is possible that this present picture draws inspiration from Hardy’s narratives, as its title matches that of the author’s 1874 novel Far from the Madding Crowd. Macbeth’s picture shows a young blonde woman, waiting at the side of a road, gazing wistfully into the distance, warming her hands in a muff. She appears to be pregnant. It is possible that this is a depiction of the character of Fanny Robin, servant to protagonist Bathsheba Everdene, who finds herself entangled in a love affair with Bathsheba’s husband, Sergeant Frank Troy. In the novel, Fanny becomes pregnant with Troy’s child and meets her untimely demise whilst giving birth in a poor house. It is a lock of blonde hair in Troy’s watch that alerts Bathsheba to the true nature of Troy’s relationship with Fanny. This picture could potentially capture Fanny prior to giving birth in secrecy, with the discarded flowers on the nearby bench symbolising her abandonment by Troy and foreshadowing her impending demise. A photograph held in the collection of the Royal Academy shows Macbeth in his studio in London, with this picture in the foreground, on an easel [05/4691].