Details

Provenance

Acquired directly from the artist Condition This work is in very good condition. Close inspection reveals fine hairline cracks in places along the extreme edges. There is a faint rub mark by the signature in the grey section in the lower left hand side of the composition. There are a few light accretions scattered in the lower half of the composition. No restoration is apparent under ultraviolet light. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note I love the flamers of art history—the hysterics, hell-raisers, tantrum throwers, and storm birds. Artists who bring transgressive subject matter and flamboyant personalities into close contact; who are always on about something; whose emotions are messy, even if their art is neat; who are so full of their own feelings that targets cease to matter. Jerry Saltz (The Village Voice, " American Flamer", November, 2000)

Catalog summary

Peter Saul Untitled acrylic, oil and metallic paint  on canvas 75 by 71 in. 190.5 by 180.3 cm. Executed circa 1969-1970. Provenance Acquired directly from the artist Condition This work is in very good condition. Close inspection reveals fine hairline cracks in places along the extreme edges. There is a faint rub mark by the signature in the grey section in the lower left hand side of the composition. There are a few light accretions scattered in the lower half of the composition. No restoration is apparent under ultraviolet light. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note I love the flamers of art history—the hysterics, hell-raisers, tantrum throwers, and storm birds. Artists who bring transgressive subject matter and flamboyant personalities into close contact; who are always on about something; whose emotions are messy, even if their art is neat; who are so full of their own feelings that targets cease to matter. Jerry Saltz (The Village Voice, " American Flamer", November, 2000)