Details

Provenance

Marian Goodman Gallery, New York Acquired by the present owner from the above in 2001

Exhibited

New York, Marian Goodman Gallery, Jeff Wall: New Work , March - April 2001 Munich, Galerie Rüdiger Schöttle, March - May 2001 (another example

Literature

Theodora Vischer & Heidi Naef, Jeff Wall: Catalogue Raisonné 1978-2004, Basel, 2005, cat. no. 95, p. 217, illustrated in color Condition This work is in very good condition and good working order. There is evidence of minor dust and wear to the top edge of the box. There is very soft and unobtrusive rippling to the transparency. Otherwise, there are no apparent condition problems with this work. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalog summary

Jeff Wall Diagonal Composition No. 3 transparency in aluminum lightbox Image: 29 3/8 by 37 1/8 in. 74.5 by 94 cm. Light Box: 34 1/8 by 42 1/8 by 5 3/8 in. 86.8 by 107 by 13.5 cm. Executed in 2000, this work is number 1 from an edition of 8 plus 2 artist's proofs. Provenance Marian Goodman Gallery, New York Acquired by the present owner from the above in 2001 Exhibited New York, Marian Goodman Gallery, Jeff Wall: New Work , March - April 2001 Munich, Galerie Rüdiger Schöttle, March - May 2001 (another example exhibited) Basel, Kunstforum Bâloise, Jeff Wall: Still Lifes & Interiors , June - November 2001 (another example exhibited) Cologne, Galerie Johnen & Schöttle, Jeff Wall , June - August 2001 (another example exhibited) Frankfurt, Museum für Moderne Kunst, Jeff Wall: Figures & Places , 2001, pl. 13, illustrated in color (another example exhibited) Munster, Westfälischer Kunstverein, formal social , February - March 2002 (another example exhibited) Göteborg Museum of Art, Hasselblad Center, Jeff Wall, Photographs: 2002 Hasselblad Award Winner Exhibition , June - November 2002 (another example exhibited) Los Angeles, UCLA Hammer Museum, Jeff Wall , January - April 2003 (another example exhibited) Museum moderner Kunst Stiftung Ludwig Vienna, Jeff Wall, Photographs , March - May 2003 (another example exhibited) Rome, Galleria Lorcan O'Neill, Jeff Wall , March - May 2003 (another example exhibited) Kunsthalle Mannheim, Die Neue Kunsthalle: Erste Neupräsentation der Sammlung , March - September 2003 (another example exhibited) Oslo, Astrup Fearnley Museet for Moderne Kunst, Jeff Wall: Tableaux , March - May 2004 (another example exhibited) Kunsthalle Mannheim, Direkte Malerei / Direct Painting - Die Neue Kunsthalle IV , November 2004 - May 2005 (another example exhibited) Basel, Schaulager, Jeff Wall - Photographs 1978-2004 , April - September 2005 (another example exhibited) New York, The Museum of Modern Art; The Art Institute of Chicago; San Francisco Museum of Modern Art, Jeff Wall , February 2007 - January 2008, p. 107, illustrated in color (another example exhibited) Literature Theodora Vischer & Heidi Naef, Jeff Wall: Catalogue Raisonné 1978-2004, Basel, 2005, cat. no. 95, p. 217, illustrated in color Condition This work is in very good condition and good working order. There is evidence of minor dust and wear to the top edge of the box. There is very soft and unobtrusive rippling to the transparency. Otherwise, there are no apparent condition problems with this work. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.