Details

Provenance

Theodore Schempp, Brodhead, Wisconsin Acquired from the above Condition In fairly good condition. Executed on buff colored join paper laid down on canvas. The sheet, which is somewhat browned, is visible in place in the upper register through the paint layer. There is a five inch repaired tear from the bottom edge, right of the lower left corner. Scattered surface nicks are minor. Under UV light: no inpainting is apparent. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note Rouault complements his sacred subject with a Cloisonnist style in which the figure is delineated with black outlines and framed by a decorative border. Evoking the imagery of stained glass imbues the subject with a profound and spiritual depth. Unlike other artists who employed Cloisonnist techniques, however, Rouault employs boundless expressionistic brushstrokes that deconstruct forms and bring his subject to the edge of abstraction.

Catalog summary

Georges Rouault Christ Signed G Rouault (lower right) Oil on joined paper laid down on canvas 29 1/2 by 23 3/4 in. 75 by 60.4 cm Provenance Theodore Schempp, Brodhead, Wisconsin Acquired from the above Condition In fairly good condition. Executed on buff colored join paper laid down on canvas. The sheet, which is somewhat browned, is visible in place in the upper register through the paint layer. There is a five inch repaired tear from the bottom edge, right of the lower left corner. Scattered surface nicks are minor. Under UV light: no inpainting is apparent. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note Rouault complements his sacred subject with a Cloisonnist style in which the figure is delineated with black outlines and framed by a decorative border. Evoking the imagery of stained glass imbues the subject with a profound and spiritual depth. Unlike other artists who employed Cloisonnist techniques, however, Rouault employs boundless expressionistic brushstrokes that deconstruct forms and bring his subject to the edge of abstraction.