Details

Provenance

Robert Elkon Gallery, New York Mr. Stanley G. Mortimer III, New York Christie's, New York, November 2, 1984, Lot 307 Acquired by the present owner from the above

Exhibited

Philadelphia, University of Pennsylvania, Institute of Contemporary Art, Agnes Martin , January - March 1973, no. 37 Condition This work is in very good condition overall. There is evidence of very fine hairline cracking most noticeable in the outer margins of the centralized design primarily in the upper left and lower right corners. There are linear ground cracks in the following locations within the design: a ¾ in. linear ground crack located 3 ¼ - 3 7/8 in. from the right edge and 3 5/8 – 4 in. from the bottom edge, a ¼ in. diagonal ground crack in the center and a ½ in. diagonal ground crack 5 ¼ - 5 ¾ in. from the bottom edge and 2 ¼ - 2 ½ in. from the left edge. Under Ultraviolet light there are no apparent restorations. This canvas is on a keyed stretcher and framed in a metal strip frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalog summary

Agnes Martin Spring signed, titled and dated 65 on the reverse oil and pencil on canvas 12 x 12 in. 30.5 x 30.5 cm. Provenance Robert Elkon Gallery, New York Mr. Stanley G. Mortimer III, New York Christie's, New York, November 2, 1984, Lot 307 Acquired by the present owner from the above Exhibited Philadelphia, University of Pennsylvania, Institute of Contemporary Art, Agnes Martin , January - March 1973, no. 37 Condition This work is in very good condition overall. There is evidence of very fine hairline cracking most noticeable in the outer margins of the centralized design primarily in the upper left and lower right corners. There are linear ground cracks in the following locations within the design: a ¾ in. linear ground crack located 3 ¼ - 3 7/8 in. from the right edge and 3 5/8 – 4 in. from the bottom edge, a ¼ in. diagonal ground crack in the center and a ½ in. diagonal ground crack 5 ¼ - 5 ¾ in. from the bottom edge and 2 ¼ - 2 ½ in. from the left edge. Under Ultraviolet light there are no apparent restorations. This canvas is on a keyed stretcher and framed in a metal strip frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.