Details

Provenance

Lysiane Rey, Paris acquired from the artist circa 1931 Thence by descent to the present owner Condition This painting is restored. The canvas is unlined and the paint layer is very fresh and unabraded. It does not appear to have ever been removed from its stretcher. The wooden surround may be original. There are isolated and fairly evenly spaced retouches corresponding to small losses visible under ultraviolet light here and there. For instance, in the upper center, upper center right and center there are groups of restorations. In addition, there are also a few isolated spots of restoration. There is no structural damage and on the reverse one can see clearly that the original canvas is unbroken. These retouches represent isolated paint losses that have been attended to carefully. The work should be hung in its current state. (This condition report has been provided courtesy of Simon Parkes Art Conservation, Inc.) In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note Please note that this works is also signed, dated 19 Julliet 1929 , and inscribed T N o 1-Peinture , 3, rue Marcel Sembat Paris 18e on the reverse which referes to an earlier, horizontal composition which was overpainted by the artist.

Catalog summary

Joaquín Torres-García Composition Constructive signed and dated 31 lower right oil on canvas 28 3/4 by 23 5/8 in. 73 by 60 cm Provenance Lysiane Rey, Paris acquired from the artist circa 1931 Thence by descent to the present owner Condition This painting is restored. The canvas is unlined and the paint layer is very fresh and unabraded. It does not appear to have ever been removed from its stretcher. The wooden surround may be original. There are isolated and fairly evenly spaced retouches corresponding to small losses visible under ultraviolet light here and there. For instance, in the upper center, upper center right and center there are groups of restorations. In addition, there are also a few isolated spots of restoration. There is no structural damage and on the reverse one can see clearly that the original canvas is unbroken. These retouches represent isolated paint losses that have been attended to carefully. The work should be hung in its current state. (This condition report has been provided courtesy of Simon Parkes Art Conservation, Inc.) In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note Please note that this works is also signed, dated 19 Julliet 1929 , and inscribed T N o 1-Peinture , 3, rue Marcel Sembat Paris 18e on the reverse which referes to an earlier, horizontal composition which was overpainted by the artist.