Details

Provenance

Garry Goodwin, Chicago

Exhibited

University of Chicago, The Renaissance Society; Omaha, Joslyn Art Museum; Houston, Contemporary Art Museum, Ed Paschke: Selected Works 1967-1981 , March - September 1982, cat. no. 29, pp. 25 and 41, illustrated in color New York, Gagosian Gallery, Ed Paschke , March - April 2010, pp. 78-79 and 118, illustrated in color Condition This work is in very good condition overall. The sheet is hinged verso to the backing board, intermittently along the edges. There are artists pinholes on all 4 corners. There is a slight undulation to the sheet, inherent to the artist's working method. Framed under Plexiglas. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalog summary

Ed Paschke Gestapo signed and dated '79 oil on canvas, in artist's frame 30 5/8 by 46 1/2 in. 77.8 by 118.1 cm. Provenance Garry Goodwin, Chicago Exhibited University of Chicago, The Renaissance Society; Omaha, Joslyn Art Museum; Houston, Contemporary Art Museum, Ed Paschke: Selected Works 1967-1981 , March - September 1982, cat. no. 29, pp. 25 and 41, illustrated in color New York, Gagosian Gallery, Ed Paschke , March - April 2010, pp. 78-79 and 118, illustrated in color Condition This work is in very good condition overall. The sheet is hinged verso to the backing board, intermittently along the edges. There are artists pinholes on all 4 corners. There is a slight undulation to the sheet, inherent to the artist's working method. Framed under Plexiglas. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.