Details

Provenance

Paul Thiebaud Gallery, San Francisco Acquired from the above by the present owner Condition This work is in very good condition overall. The colors are bright, fresh and clean. Under very close inspection a few unobtrusive pinpoint spot accretions are visible. Under Ultraviolet light inspection, there is no evidence of restoration. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note "Then, the sweet everydayness of his cake and pie pictures looked like cousins of Andy Warhol’s soup cans. But where Warhol was cool and ironic, Thiebaud was warm and gently comic, playing on a collective nostalgia just this side of sentimentality. He pushed himself as a painter—experimenting with brushstrokes, color, composition, light and shadow. The cylindrical cakes and cones of ice cream owed more to such masters of the still life as the 18th century French painter Chardin, or the 20th century Italian Giorgio Morandi, as critics have pointed out, than to the art trends of the time." Cathleen McGuigan, "Thiebaud is Not a Pop Artist," Smithsonian Magazine , February 2011

Catalog summary

Wayne Thiebaud Cased Slice signed and dated '08 oil on board mounted to panel 7 1/8 by 6 7/8 in. 18.1 by 17.5 cm. Provenance Paul Thiebaud Gallery, San Francisco Acquired from the above by the present owner Condition This work is in very good condition overall. The colors are bright, fresh and clean. Under very close inspection a few unobtrusive pinpoint spot accretions are visible. Under Ultraviolet light inspection, there is no evidence of restoration. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note "Then, the sweet everydayness of his cake and pie pictures looked like cousins of Andy Warhol’s soup cans. But where Warhol was cool and ironic, Thiebaud was warm and gently comic, playing on a collective nostalgia just this side of sentimentality. He pushed himself as a painter—experimenting with brushstrokes, color, composition, light and shadow. The cylindrical cakes and cones of ice cream owed more to such masters of the still life as the 18th century French painter Chardin, or the 20th century Italian Giorgio Morandi, as critics have pointed out, than to the art trends of the time." Cathleen McGuigan, "Thiebaud is Not a Pop Artist," Smithsonian Magazine , February 2011