Details

Provenance

Sonnabend Gallery, New York Acquired from the above by the present owner

Exhibited

Washington, D.C., Corcoran Gallery of Art, The 40th Biennial of American Contemporary Painting, April - June 1987, cat. no. 84 Condition This work is in good condition overall. The canvas is unlined. The variations to the surface texture are due to the artist's choice of medium and working method. There is a light dust accumulation visible to the surface in the thicker areas of impasto. There are a few scattered areas of pigment separation, due to the artist's working method and chosen medium, and a few areas of very minor, stable hairline cracking only viewable upon close inspection. There are some minor, scattered accretions noted to the surface. Unframed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalog summary

Terry Winters Untitled oil on canvas 101 1/4 by 71 1/2 in. 257.2 by 181.6 cm. Executed in 1985-86. Provenance Sonnabend Gallery, New York Acquired from the above by the present owner Exhibited Washington, D.C., Corcoran Gallery of Art, The 40th Biennial of American Contemporary Painting, April - June 1987, cat. no. 84 Condition This work is in good condition overall. The canvas is unlined. The variations to the surface texture are due to the artist's choice of medium and working method. There is a light dust accumulation visible to the surface in the thicker areas of impasto. There are a few scattered areas of pigment separation, due to the artist's working method and chosen medium, and a few areas of very minor, stable hairline cracking only viewable upon close inspection. There are some minor, scattered accretions noted to the surface. Unframed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.