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UNTITLED
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SAM FRANCIS

UNTITLED , 1979 (Dated)

Lot #446 | 2019-02-22 | Sotheby's, New York
Contemporary Art Online


Category:

Painting

Estimate:

USD 30,000 - 40,000 (currency of sale)

Price Sold:

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Auction Details
Auction house: Sotheby's
Auction number: N10028
Auction name: Contemporary Art Online
Auction type: Fine Art
Location: New York
Start date: 2019-02-22
End date: 2019-03-07
Currency: USD
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Lot Description
Details
Genre: 20th Century American Art
Department: Painting & Works on Paper
Dimensions: 29⅞ by 22 in.
Item measurements:
Height In Centimeters: 75.5
Width In Centimeters: 55.8
Height In Inches: 29.875
Width In Inches: 22
Edition: Unique
Edition notes: Unique.
Year notes: Dated in 1979.
Provenance
André Emmerich Gallery, New York Acquired from the above by the present owner in May 1981
Exhibited
New York, André Emmerich Gallery, Sam Francis: Recent Work, April - May 1981 Catalogue note Sam Francis was associated with the Abstract Expressionist movement. However, unlike many American painters of the time he had direct and prolonged exposure to French painting and to Japanese art which had an individual impact on his work. Here, a sense of order can be discerned amidst the seeming haphazard splashing of color.
Catalog summary
Property of A Private Collector, New York SAM FRANCIS 1923 - 1994 UNTITLED signed and dated 1979 on the reverse acrylic on paper Sheet: 29⅞ by 22 in. (75.5 by 55.8 cm.) Framed: 36¼ by 28⅜ in. (92 by 72 cm.) This work is identified with the interim identification number of SFF.67 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper . This information is subject to change as scholarship continues by the Sam Francis Foundation. Provenance André Emmerich Gallery, New York Acquired from the above by the present owner in May 1981 Exhibited New York, André Emmerich Gallery, Sam Francis: Recent Work, April - May 1981 Catalogue note Sam Francis was associated with the Abstract Expressionist movement. However, unlike many American painters of the time he had direct and prolonged exposure to French painting and to Japanese art which had an individual impact on his work. Here, a sense of order can be discerned amidst the seeming haphazard splashing of color.
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