Details

Provenance

Paula Cooper Gallery, New York Acquired from the above by the present owner in 1991

Exhibited

New York, American Fine Arts, Co., Vita Acconci, Jeff Koons, Joel Shapiro, September - October 1991 Minneapolis, Walker Art Center Sculpture Garden; Kansas City, The Nelson-Atkins Museum of Art, Joel Shapiro: Outdoors, May 1995 - October 1996, pp. 20 and 41, illustrated (another example

Literature

Hendel Teicher, Joel Shapiro: Sculpture and Drawing , New York 1998, pl. 192, p. 142, illustrated Condition This work is in very good and sound condition overall. There are minor and unobtrusive surface scratches, inherent to the artist's chosen medium. There is evidence of wear and handling to the edges, including the top corner of the back vertical element and the lower front edge of the lower arm. There is an abrasion on the lower back edge of the form's main element. There are very light dust accumulations in the crevices of the work. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note "Depending upon the viewer's movement, Shapiro's sculpture shifts from the abstract to the figurative, from hyperkinetic flight to collapse, from purely formal to deeply emotional—like a kaleidoscope whose pieces promise, but finally refuse, to settle into resolution." Klaus Kertess in Exh. Cat., New York, The Pace Gallery, Joel Shapiro New Wood and Bronze Sculpture , 1998, p. 6

Catalog summary

Joel Shapiro Untitled bronze 78 by 62 by 28 in. 198.1 by 157.5 by 71 cm. Executed in 1991, this work is number 1 from an edition of 4. Edition 1 of 4 Provenance Paula Cooper Gallery, New York Acquired from the above by the present owner in 1991 Exhibited New York, American Fine Arts, Co., Vita Acconci, Jeff Koons, Joel Shapiro, September - October 1991 Minneapolis, Walker Art Center Sculpture Garden; Kansas City, The Nelson-Atkins Museum of Art, Joel Shapiro: Outdoors, May 1995 - October 1996, pp. 20 and 41, illustrated (another example exhibited) Literature Hendel Teicher, Joel Shapiro: Sculpture and Drawing , New York 1998, pl. 192, p. 142, illustrated Condition This work is in very good and sound condition overall. There are minor and unobtrusive surface scratches, inherent to the artist's chosen medium. There is evidence of wear and handling to the edges, including the top corner of the back vertical element and the lower front edge of the lower arm. There is an abrasion on the lower back edge of the form's main element. There are very light dust accumulations in the crevices of the work. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Catalogue Note "Depending upon the viewer's movement, Shapiro's sculpture shifts from the abstract to the figurative, from hyperkinetic flight to collapse, from purely formal to deeply emotional—like a kaleidoscope whose pieces promise, but finally refuse, to settle into resolution." Klaus Kertess in Exh. Cat., New York, The Pace Gallery, Joel Shapiro New Wood and Bronze Sculpture , 1998, p. 6