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Rethreading the Needle
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Jon Young

Rethreading the Needle , 1981 (Executed)

Lot #42 | 2021-07-26 | Sotheby's, New York
ArtCrush 2021: Art Auction to Benefit the Aspen Art Museum


Category:

Painting

Estimate:

USD 8,000 - 12,000 (currency of sale)

Price Sold:

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Auction Details
Auction house: Sotheby's
Auction number: N10717
Auction name: ArtCrush 2021: Art Auction to Benefit the Aspen Art Museum
Auction type: Fine Art
Location: New York
Start date: 2021-07-26
End date: 2021-08-06
Currency: USD
Source: Login to view
Lot Description
Details
Genre: 20th Century Greek Art
Department: Painting & Works on Paper
Dimensions: 49 by 60 by 8 in.
Item measurements:
Height In Centimeters: 124.46
Width In Centimeters: 152.4
Depth In Centimeters: 20.32
Height In Inches: 49
Width In Inches: 60
Depth In Inches: 8
Year notes: Artist born 1981.
Provenance
Courtesy of Carl Kostyál and the artist Catalogue note The artwork of Jon Young (b.1981, US) is about the development of language and signage. Young’s wood, sand, and fabric sculptures, which he calls “waymarks,” use historical symbols taken from Paleolithic cave paintings, Greek pottery, and even the line in the sand from Hollywood Westerns and Looney Tunes cartoons. Through his use of the popular imagery of the US West, Young grounds his waymarks in the histories and mythologies of the frontier, an ideological concept popularized by the historian Frederick Jackson Turner, which has signified both European opportunity and indigenous genocide. Reflecting this dual nature of the US West, Young’s work is informed both by his nomadic childhood in a constantly uprooted US military family and by the cultural displacement of his Native American heritage. Like Jacques Derrida’s critique that semiotic signs simply defer meaning, that signs can only point to other signs, Young’s work at first seems to offer easily understood archetypal imagery, but, on second glance, these icons shed all commitment to an inherent shared message. Instead of semiotically, we must instead experience these waymarks phenomenologically, adjusting ourselves to them, rather than having them point out to us a way to a transcendent meaning. Young repeats his disorientating waymarks to prompt the viewer to reconsider their own place within the mirage of history’s received meanings. Jon Young was born in Winston Salem, NC (1981). A tribal member of the Catawba Indian Nation in Rock Hill, South Carolina, Young now lives and works in St. Louis, Missouri. He earned his BFA from the University of Wyoming and his MFA at the Sam Fox School of Design and Visual Art at Washington University in St. Louis, where he is currently working as a Director’s Fellow. Please note that while this auction is hosted on Sothebys.com , it is being administered by the Aspen Art Museum, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Aspen Art Museum. As such, Sotheby’s will share the contact details for the winning bidders with the Aspen Art Museum so that they may be in touch directly post-sale.
Catalog summary
Jon Young b. 1981 Rethreading the Needle 2021 Iridescent fabric, wood, batting, and sand from Garden of the Gods, Colorado Springs, CO 49 by 60 by 8 in. (124.46 by 152.4 by 20.32 cm) Provenance Courtesy of Carl Kostyál and the artist Catalogue note The artwork of Jon Young (b.1981, US) is about the development of language and signage. Young’s wood, sand, and fabric sculptures, which he calls “waymarks,” use historical symbols taken from Paleolithic cave paintings, Greek pottery, and even the line in the sand from Hollywood Westerns and Looney Tunes cartoons. Through his use of the popular imagery of the US West, Young grounds his waymarks in the histories and mythologies of the frontier, an ideological concept popularized by the historian Frederick Jackson Turner, which has signified both European opportunity and indigenous genocide. Reflecting this dual nature of the US West, Young’s work is informed both by his nomadic childhood in a constantly uprooted US military family and by the cultural displacement of his Native American heritage. Like Jacques Derrida’s critique that semiotic signs simply defer meaning, that signs can only point to other signs, Young’s work at first seems to offer easily understood archetypal imagery, but, on second glance, these icons shed all commitment to an inherent shared message. Instead of semiotically, we must instead experience these waymarks phenomenologically, adjusting ourselves to them, rather than having them point out to us a way to a transcendent meaning. Young repeats his disorientating waymarks to prompt the viewer to reconsider their own place within the mirage of history’s received meanings. Jon Young was born in Winston Salem, NC (1981). A tribal member of the Catawba Indian Nation in Rock Hill, South Carolina, Young now lives and works in St. Louis, Missouri. He earned his BFA from the University of Wyoming and his MFA at the Sam Fox School of Design and Visual Art at Washington University in St. Louis, where he is currently working as a Director’s Fellow. Please note that while this auction is hosted on Sothebys.com , it is being administered by the Aspen Art Museum, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Aspen Art Museum. As such, Sotheby’s will share the contact details for the winning bidders with the Aspen Art Museum so that they may be in touch directly post-sale.
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