Provenance
Estate of the Artist<br />Joan Mitchell Foundation, New York<br />Cheim & Read, New York<br />Acquired from the above by the present owner in 2013
Condition
The work is in very good condition. The canvas, six-member stretcher and attachments appear to be in good condition. There is a thin strip of tape adhered to the turnover edges. There are feather cracks to the turnover edges in places. There is minor cracking to the thicker impasto passages, primarily to the green passage at center left, with associated minor lifting and pinpoint paint losses in places. When examined under Ultraviolet light, the corners and a few small areas in in the green passage at center left fluoresce.
Exhibited
Seoul, Kukje Gallery, <em>Joan Mitchell: A Survey, 1952–1992</em>, March 3 – April 4, 2006, n.p. (illustrated)<br />London, Hauser & Wirth, <em>Joan Mitchell: Leaving America, New York to Paris, 1958-1964</em>, May 25 - July 21, 2007, p. 54 (illustrated, p. 55)<br />Paris, Galerie Jean-François Cazeau, <em>L’Abstraction dans tous ses États</em>, May 30 – July 15, 2018