Details
Department: Painting & Works on Paper
Dimensions: 50 x 42 in. (127 x 106.7 cm)
Item measurements:
Height In Centimeters:
50
Width In Centimeters:
42
Height In Inches:
19.685
Width In Inches:
16.535
Edition: Stamped by the Andy Warhol Art Authentication Board and numbered A115.969 along the overlap.
Provenance
Leo Castelli Gallery, New York<br />Ace Gallery, Vancouver<br />Ira and Adele Yellin, Los Angeles<br />Tony Shafrazi Gallery, New York<br />Private Collection
Condition
It is our opinion that this work is in excellent condition. <br><br>This work is comprised of synthetic polymer and silkscreen inks on canvas, supported by a four-member wood stretcher and metal frame. There is evidence of very faint wear along the extreme edges of the canvas, most notably in the lower right corner. The work has been viewed under ultraviolet light, and no surface inconsistencies are visible.
Exhibited
Paris, Musée Galliera, <em>Andy Warhol: Mao</em>, February 23 – March 18, 1974<br />Chicago, Hokin Gallery, <em>Andy Warhol</em>, September 9 – O ctober 11, 1977<br />New York, Tony Shafrazi Gallery, <em>Andy Warhol: Thirty Are Better Than One</em>, May 3 – June 14, 1997<br />New York, L&M Arts, <em>Andy Warhol: Mao</em>, September 7 - O ctober 7, 2006
Literature
G. Battcock, “Andy Warhol: New Predications for Art,” in <em>Arts Magazine</em>, May 1974, p. 37 (illustrated)<br />M. Livingstone, <em>Pop Art</em>, Musée des beaux-arts de Montréal, Montreal, 1990 (illustrated)<br />G. Frei and N. Printz, <em>The Andy Warhol Catalogue Raisonne; Paintings and Sculpture 1970- 1974</em>, New York, 2002, p. 204, no. 2297 (illustrated)
Catalog summary
<strong><br>Description:</strong><br>Andy Warhol - American (1928 - 1987) null silkscreen ink and synthetic polymer paint on canvas 50 x 42 in. (127 x 106.7 cm) Stamped by the Andy Warhol Art Authentication Board and numbered A115.969 along the overlap. <strong>Provenance: </strong>Leo Castelli Gallery, New York<br />Ace Gallery, Vancouver<br />Ira and Adele Yellin, Los Angeles<br />Tony Shafrazi Gallery, New York<br />Private Collection <strong>Literature: </strong>G. Battcock, “Andy Warhol: New Predications for Art,” in <em>Arts Magazine</em>, May 1974, p. 37 (illustrated)<br />M. Livingstone, <em>Pop Art</em>, Musée des beaux-arts de Montréal, Montreal, 1990 (illustrated)<br />G. Frei and N. Printz, <em>The Andy Warhol Catalogue Raisonne; Paintings and Sculpture 1970- 1974</em>, New York, 2002, p. 204, no. 2297 (illustrated) <strong>Exhibited: </strong>Paris, Musée Galliera, <em>Andy Warhol: Mao</em>, February 23 – March 18, 1974<br />Chicago, Hokin Gallery, <em>Andy Warhol</em>, September 9 – O ctober 11, 1977<br />New York, Tony Shafrazi Gallery, <em>Andy Warhol: Thirty Are Better Than One</em>, May 3 – June 14, 1997<br />New York, L&M Arts, <em>Andy Warhol: Mao</em>, September 7 - O ctober 7, 2006 <strong>Condition Report: </strong>It is our opinion that this work is in excellent condition. <br><br>This work is comprised of synthetic polymer and silkscreen inks on canvas, supported by a four-member wood stretcher and metal frame. There is evidence of very faint wear along the extreme edges of the canvas, most notably in the lower right corner. The work has been viewed under ultraviolet light, and no surface inconsistencies are visible.