Details

Provenance

Vente: J.-A. Labat et L. Thierry, Paris, 29 novembre 1990, lot 54 Acquis lors de cette vente par le propriétaire actuel Condition The colours are accurate in the catalogue illustration.<br><br>The work is executed on its original canvas, nor relined. <br>Few thin cracks to the impasto are only visible under very close inspection, along with 4 minor paintlosses (from 0,1 to 0,5 cm) :<br>- 1 located 21,5 cm from the upper edge and 24 cm from the left edge<br>- 1 located 2 cm from the upper edge and 17 cm from the left edge<br>- 1 located 75 cm from the left edge and 70 cm from the lower edge<br>- 1 located 46 cm from the right edge and 73 cm from the lower edge<br>Under UV light, there is no evidence of any retouching. <br>This work is in very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Vitrail, Paris, Notre-Dame © D.R.

Catalog summary

André Lanskoy Composition signé huile sur toile 130 x 130 cm; 51 3/16 x 51 3/16 in. Exécuté vers 1960. Provenance Vente: J.-A. Labat et L. Thierry, Paris, 29 novembre 1990, lot 54 Acquis lors de cette vente par le propriétaire actuel Condition The colours are accurate in the catalogue illustration.<br><br>The work is executed on its original canvas, nor relined. <br>Few thin cracks to the impasto are only visible under very close inspection, along with 4 minor paintlosses (from 0,1 to 0,5 cm) :<br>- 1 located 21,5 cm from the upper edge and 24 cm from the left edge<br>- 1 located 2 cm from the upper edge and 17 cm from the left edge<br>- 1 located 75 cm from the left edge and 70 cm from the lower edge<br>- 1 located 46 cm from the right edge and 73 cm from the lower edge<br>Under UV light, there is no evidence of any retouching. <br>This work is in very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note Vitrail, Paris, Notre-Dame © D.R.