Details

Provenance

Collection particulière, France (acquis auprès de l'artiste à Paris avant 1953) Condition Executed on white card, not laid down. The sheet is fixed to the over-mount along the upper edge. There are remnants of old mounting tape on the reverse of the upper corners. A close inspection reveals some tiny scattered specks of paint-loss in the upper right orange triangle and two minor and very faint flattened creases towards the upper right corner. There are artist’s pinholes in the centre of each circle which are inherent to the artistic process. The colours remain remarkably vibrant and fresh and apart from some very light time-staining and a few faint spots of foxing towards the edges, this work is in very good original condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note signed 'Herbin' and dated '1950' (lower right), titled '"vie" no. 5' (lower left), gouache on card. Executed in 1950.

Catalog summary

Auguste Herbin VIE signé Herbin et daté 1950 (en bas à droite), titré "vie" no. 5 (en bas à gauche) gouache sur carton 26,8 x 36,3 cm 10 1/2 x 14 1/4 in. Provenance Collection particulière, France (acquis auprès de l'artiste à Paris avant 1953) Condition Executed on white card, not laid down. The sheet is fixed to the over-mount along the upper edge. There are remnants of old mounting tape on the reverse of the upper corners. A close inspection reveals some tiny scattered specks of paint-loss in the upper right orange triangle and two minor and very faint flattened creases towards the upper right corner. There are artist’s pinholes in the centre of each circle which are inherent to the artistic process. The colours remain remarkably vibrant and fresh and apart from some very light time-staining and a few faint spots of foxing towards the edges, this work is in very good original condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Catalogue Note signed 'Herbin' and dated '1950' (lower right), titled '"vie" no. 5' (lower left), gouache on card. Executed in 1950.