Details
Department: Painting & Works on Paper
Dimensions: 137.2 by 101.6 cm. (54 x 40 in).
Item measurements:
Height In Centimeters:
1372
Width In Centimeters:
1016
Height In Inches:
540.157
Width In Inches:
400
Edition: Signed and dated 'Ed Ruscha 1996' on the reverse; titled 'Doric' on the overlap; signed, titled and dated 'Ed Ruscha Doric 1996' on the stretcher. <br />This work will be included in the forthcoming Edward Ruscha: Catalogue Raisonné of the Paintings, Volume Five: 1993-1997, edited by Robert Dean and Lisa Turvey
Provenance
James Corcoran Gallery, New York; Private Collection, New York; Max Lang Gallery, New York; Collection of Mark Neuberger, New YorkÂÂ
Condition
This work is in very good condition.<br>This work is comprised of acrylic on canvas supported by seven member wooden strainer stapled on the overlap. The artist's technique is visible throughout, the paint has been applied using an airbrush. The canvas weave is uneven in places throughout the composition. There is rubbing to the turning edges of the upper left corner and half way down the left turning edge. There are pinpoint fly spots to the white paint in the lower left quadrant.   ÂÂ
Catalog summary
<strong><br>Description:</strong><br>Ed Ruscha - American (1937) null Acrylic on canvas. 137.2 by 101.6 cm. (54 x 40 in).<br> Signed and dated 'Ed Ruscha 1996' on the reverse; titled 'Doric' on the overlap; signed, titled and dated 'Ed Ruscha Doric 1996' on the stretcher. <br />This work will be included in the forthcoming Edward Ruscha: Catalogue Raisonné of the Paintings, Volume Five: 1993-1997, edited by Robert Dean and Lisa Turvey <strong>Provenance: </strong>James Corcoran Gallery, New York; Private Collection, New York; Max Lang Gallery, New York; Collection of Mark Neuberger, New York <strong>Literature: </strong> <strong>Exhibited: </strong> <strong>Condition Report: </strong>This work is in very good condition.<br>This work is comprised of acrylic on canvas supported by seven member wooden strainer stapled on the overlap. The artist's technique is visible throughout, the paint has been applied using an airbrush. The canvas weave is uneven in places throughout the composition. There is rubbing to the turning edges of the upper left corner and half way down the left turning edge. There are pinpoint fly spots to the white paint in the lower left quadrant.   ÂÂ