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Untitled

Barry Mcgee

Untitled , 2004

Lot #3 | 2009-07-06 | Phillips, London
Contemporary Evening Sale


Category:

paintings

Estimate:

GBP 15,000 - 20,000 (currency of sale)
USD 24,205 - 32,274 (approx.)

Price Sold:

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Auction Details
Auction house: Phillips
Auction number: UK010309
Auction name: Contemporary Evening Sale
Auction type: Fine Art
Location: London
Start date: 2009-07-06
Currency: GBP
Source: Login to view
Lot Description
Details
Department: Painting & Works on Paper
Dimensions: Installation dimensions: 150 x 280 x 70 cm. (59 x 110 1/4 x 27 1/2 in). overall.
Item measurements:
Height In Centimeters: 150
Width In Centimeters: 280
Depth In Centimeters: 70
Height In Inches: 59.055
Width In Inches: 110.236
Depth In Inches: 27.559
Provenance
Deitch Projects, New York; The Marino and Paola Golinelli Collection, Bologna
Condition
This work is in very good condition.<br>This work is comprised of oil on 14 wooden panels. Each painted panel is nailed along all four outer edges to a wooden subframe. There are areas of loss, rubbing and soiling in places throughout with a more prominent abrasion to the upper right corner of the second largest panel. The aforementioned areas are consistent with the artist's working method and artistic intent.   
Exhibited
New York, Deitch Projects, Barry McGee: One More Thing, 7 May - 18 August, 2005
Catalog summary
<strong><br>Description:</strong><br>Barry McGee null Oil on panel in 14 parts. Installation dimensions: 150 x 280 x 70 cm. (59 x 110 1/4 x 27 1/2 in). overall. <strong>Provenance: </strong>Deitch Projects, New York; The Marino and Paola Golinelli Collection, Bologna <strong>Literature: </strong> <strong>Exhibited: </strong>New York, Deitch Projects, Barry McGee: One More Thing, 7 May - 18 August, 2005 <strong>Condition Report: </strong>This work is in very good condition.<br>This work is comprised of oil on 14 wooden panels. Each painted panel is nailed along all four outer edges to a wooden subframe. There are areas of loss, rubbing and soiling in places throughout with a more prominent abrasion to the upper right corner of the second largest panel. The aforementioned areas are consistent with the artist's working method and artistic intent.   
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